SET 1: Buried Alive > Runaway Jim > Weigh > It's Ice, Ginseng Sullivan[1] > My Friend, My Friend[2], The Mango Song > Stash, Sparkle > Cavern
SET 2: Mike's Song > The Great Gig in the Sky > Weekapaug Groove, Esther > All Things Reconsidered, Bouncing Around the Room -> Rift, Jesus Just Left Chicago, My Sweet One[3] > Run Like an Antelope[4]
ENCORE: Sweet Adeline[5], Bold As Love
Trey teased the Woody Woodpecker theme at the end of Weigh. Ginseng Sullivan made its Phish debut in the first set, featuring Trey on acoustic guitar and Fish on washboard. The beginning of My Friend also featured Trey on acoustic guitar. Sweet Adeline was performed without microphones. My Sweet One contained Aw Fuck! and Oom Pa Pa signals as well as three Simpsons signals. Antelope subsequently contained several more Simpsons signals, a Jeopardy! theme tease from Mike, and a tease of A Love Supreme. Fish quoted the vocals of Games Without Frontiers during Mike’s Song. Trey teased Yield Not To Temptation in Weekapaug. This Mike’s Groove is included as filler on Live Phish 07.
 Buried Alive>Runaway Jim gets this show off to a smoking start. As with several other Jims from August 93, this version is improvisational and excellent.   The Stash later in the first set is the highlight of the show and is an absolutely blistering version.  The Mike's Groove that opens the second set (released as filler on LivePhish Volume 7) has some good jamming amid some unusual parts.  There is s good theme in the Mike's jam that is repeated several times. Other notable moments in the second set are the segue out of Bouncing into Rift and the set-closing Antelope.  Antelope continues the Simpsons theme from the preceding My Sweet One and is a heavy, thrashing version.  Good 'Lope.
		Buried Alive>Runaway Jim gets this show off to a smoking start. As with several other Jims from August 93, this version is improvisational and excellent.   The Stash later in the first set is the highlight of the show and is an absolutely blistering version.  The Mike's Groove that opens the second set (released as filler on LivePhish Volume 7) has some good jamming amid some unusual parts.  There is s good theme in the Mike's jam that is repeated several times. Other notable moments in the second set are the segue out of Bouncing into Rift and the set-closing Antelope.  Antelope continues the Simpsons theme from the preceding My Sweet One and is a heavy, thrashing version.  Good 'Lope.   Phish took a break from the outdoors show in August '93 to play Club Eastbrook, a relatively small club in Western Michigan.  Located in a strip mall, the pre-show festivities seemed a bit out of place but allowed for a some fun conversations (including a bold a love request) with Trey as the boys made there way from the tour bus into the venue.  A general admission show, there was a nice sized floor up to the front of house area, where were some tables and chairs are the floor began its incline.
		Phish took a break from the outdoors show in August '93 to play Club Eastbrook, a relatively small club in Western Michigan.  Located in a strip mall, the pre-show festivities seemed a bit out of place but allowed for a some fun conversations (including a bold a love request) with Trey as the boys made there way from the tour bus into the venue.  A general admission show, there was a nice sized floor up to the front of house area, where were some tables and chairs are the floor began its incline.   The thing I remember most about this show was the upstairs.  It was not general admission and no one was up there.  I had a ticket for upstairs and went up and droped it down to a phellow tourmate who came up and repeated the process until there was a dozen or so of us up the with the palce to ourselves.  It was like a private show especially since the balcony wrapped around to right over the sides of the stage.  People we're running through the rows of seats and when the smoke machine/strobe combo during Mikes........You can only imagine.
		The thing I remember most about this show was the upstairs.  It was not general admission and no one was up there.  I had a ticket for upstairs and went up and droped it down to a phellow tourmate who came up and repeated the process until there was a dozen or so of us up the with the palce to ourselves.  It was like a private show especially since the balcony wrapped around to right over the sides of the stage.  People we're running through the rows of seats and when the smoke machine/strobe combo during Mikes........You can only imagine.
	 https://youtu.be/8qzkfzkcVHc?si=S8HZQggWgSqf6cTj
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Review by SlavePhan
THE BAD: Beautiful playing in this one, although there are certainly a handful of short songs mixed amongst the outrageous jam vehicles. I imagine that this show has "something for everyone", but one has to wonder about the ATR>BATR in the meat of the second set.
ETC: The band continued to add little quirky additional jams to lots of songs. Check out the funky ending bits on It's Ice and the weird vocal jam ending to MFMF. MSO is particularly fast, and has 2 Secret Language signals as well as 3 straight Simpsons signals. Ginseng Sullivan is a debut, and Trey mentions that "we've never played this song before". Oddly, he also says they've never played MFMF before either!