Two Charlie Chan signals; also Oom Pa Pa and Popeye signals.
 Sung by the band to Trey.
 Charlie Chan and How High the Moon signals.
Possum contained two Charlie Chan signals and Oom Pa Pa and Popeye signals. During the Bowie intro (at the stroke of midnight) the band sang Happy Birthday to Trey. Bowie subsequently contained Charlie Chan and How High the Moon signals. Manteca was teased in Bowie before and after Happy Birthday.
This appears to have been the final Phish show at the 23 East Cabaret, a 400-person room in the Philly suburbs they played eight times between the fall of '89 and this night in 1990. The soundboard recording I listened to suffers from a bit of occasional distortion. Fishman is referred to as "Zero Man" by Page while he fixes something in his kit after Divided Sky.
An early version of the standalone "The Landlady" shows the band attempting to do something different with this piece of music. It's got a nice bit of power. An early performance of Magilla is well-executed, with Page fully in the lead. For lovers of Manteca, this Bowie has the Manteca theme woven throughout and plenty of Trey shredding taboot.
The second-ever version of Gumbo is arranged almost identically to most modern versions and Stash is energetic and surprisingly tight, given that it's the eighth outing ever for this future standard.
The Weekapaug is particularly exuberant, with Trey really lighting it up in full machine-gun mode at the end.
A nice example of 1990 Phish, with Trey taking charge in the jamming tunes. No standout versions, with the Bowie worth checking out if you're a Manteca lover.
Fishman was dressed in a superhero outfit...a cowl, goggles, and a cape with the familiar red donut on it. First and only time I saw that. The crowd was much bigger than the last time I saw them at this venue (which was 6/8/90...right after school let out and in a huge rain storm so go figure) and the show was an epic one.
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed just about $1,500,000 to support music education for children – hundreds of grants in all 50 states, with more on the way.