SET 1: Blaze On, What's the Use?, Martian Monster, Devotion to a Dream, Waking Up Dead > Timber (Jerry the Mule), Things People Do, Let Me Lie, Maze -> Lengthwise[1] -> Maze, Ass Handed, Carini, Wolfman's Brother
SET 2: Mercury -> Twist > I Always Wanted It This Way[2] > Miss You, Fuego -> Sand, Joy, Possum
ENCORE: Good Times Bad Times
 
			Photo © Rene Huemer
 Big Boat
					5
					Big Boat
					5
					 Rift
					3
					Rift
					3
					 Fuego
					2
					Fuego
					2
					 Farmhouse
					2
					Farmhouse
					2
					 Sigma Oasis
					1
					Sigma Oasis
					1
					 Party Time
					1
					Party Time
					1
					 Joy
					1
					Joy
					1
					 The Siket Disc
					1
					The Siket Disc
					1
					 Stash
					1
					Stash
					1
					 Hoist
					1
					Hoist
					1
					 The Man Who Stepped into Yesterday
					1
					The Man Who Stepped into Yesterday
					1
					 It'd been 4+ years since I'd last seen Phish, and boy, alot has changed since then....hell, songs that were "new" to me on this night had already become concert staples since my last show, as evidenced by the crowd participation (like "Fuego", for example). Other songs were apparently new to everyone else too, and this show (as well the night before, I was told) was the proverbial guinea pig for the band to test the waters on 'em. So for me personally, while I did enjoy the show, I spent alot of time digesting this onslaught of new and new-ish material.
		It'd been 4+ years since I'd last seen Phish, and boy, alot has changed since then....hell, songs that were "new" to me on this night had already become concert staples since my last show, as evidenced by the crowd participation (like "Fuego", for example). Other songs were apparently new to everyone else too, and this show (as well the night before, I was told) was the proverbial guinea pig for the band to test the waters on 'em. So for me personally, while I did enjoy the show, I spent alot of time digesting this onslaught of new and new-ish material.  
  Not a bad show, not a great show. Most of the new material translates well to the live setting. The first set actually is the stronger of the two sets highlighted by a good Martian Monster, a nice Waking up Dead, and some rarities like Let Me Lie and Lengthwise.
		Not a bad show, not a great show. Most of the new material translates well to the live setting. The first set actually is the stronger of the two sets highlighted by a good Martian Monster, a nice Waking up Dead, and some rarities like Let Me Lie and Lengthwise.  This show is closer to four stars than three.  While it doesn't have the set-craft and exploratory improvisation of a five star outing, one can find excellence in the beginning and end of the first set, and Mercury through Sand is a solidly constructed passage.   I'm sure they will play multiple great versions of I always Wanted it That Way this tour; the debut was no exception. Not too many flubs or clams, which is  important for delivering the experience I think they're trying to produce. Charleston is a fine city, and a Phish concert there is a bonus! I am not upset that I attended.
		This show is closer to four stars than three.  While it doesn't have the set-craft and exploratory improvisation of a five star outing, one can find excellence in the beginning and end of the first set, and Mercury through Sand is a solidly constructed passage.   I'm sure they will play multiple great versions of I always Wanted it That Way this tour; the debut was no exception. Not too many flubs or clams, which is  important for delivering the experience I think they're trying to produce. Charleston is a fine city, and a Phish concert there is a bonus! I am not upset that I attended.
	 I'm a little concerned about the direction our beloved band is going. I understand that the new album is out and the band is taking a gutsy risk in playing songs for the first time, and I give them a lot of credit for that.  I just feel that they have lost their way a little bit.  The Charleston shows seemed very rehearsed and structured.  I find that the tv screen lighting behind the stage is a distraction and takes away from the music.  I love trey band songs when they are played by treys band. The highlights of the weekend were the Friday night Hood and the Mercury on Saturday was very strong. The band seems to be holding back on jams for whatever reason, and the crowd noticed on Saturday night for sure (lots of groans after let me lie). Be Phish. Let loose and jam. I still love you though.
		I'm a little concerned about the direction our beloved band is going. I understand that the new album is out and the band is taking a gutsy risk in playing songs for the first time, and I give them a lot of credit for that.  I just feel that they have lost their way a little bit.  The Charleston shows seemed very rehearsed and structured.  I find that the tv screen lighting behind the stage is a distraction and takes away from the music.  I love trey band songs when they are played by treys band. The highlights of the weekend were the Friday night Hood and the Mercury on Saturday was very strong. The band seems to be holding back on jams for whatever reason, and the crowd noticed on Saturday night for sure (lots of groans after let me lie). Be Phish. Let loose and jam. I still love you though.
	 Several briefly stated reasons why this show is worth a listen-to: Devotion to a Dream features some truly inspired, Jerry-like boogie-ing by Trey on the guitar, and as is nearly always the case--but it just hits home here--those leads integrate well with the other three members' contributions to result in a conversional Type-I jam, in that, if you are always chasing huge jams like me, and let it get in the way of enjoying a standard show by their lack, this DtaD helps you see the forest for the trees. Waking Up Dead kind of reminds me of The Beatles' Tomorrow Never Knows: very culturo-musically omnivorous in its sphere of influence. The primary connotation seems to be an Egyptian sort of vibe, to me, but it's certainly an interesting composition--and I get a laugh out of the "vac-u-uming" and am simultaneously somewhat unnerved by it, LOL--and I hope it gets a chance to stretch out. Lengthwise is, of course, a treat, and Wolfman's is fun, but that's about all I have to say about the first set.
		Several briefly stated reasons why this show is worth a listen-to: Devotion to a Dream features some truly inspired, Jerry-like boogie-ing by Trey on the guitar, and as is nearly always the case--but it just hits home here--those leads integrate well with the other three members' contributions to result in a conversional Type-I jam, in that, if you are always chasing huge jams like me, and let it get in the way of enjoying a standard show by their lack, this DtaD helps you see the forest for the trees. Waking Up Dead kind of reminds me of The Beatles' Tomorrow Never Knows: very culturo-musically omnivorous in its sphere of influence. The primary connotation seems to be an Egyptian sort of vibe, to me, but it's certainly an interesting composition--and I get a laugh out of the "vac-u-uming" and am simultaneously somewhat unnerved by it, LOL--and I hope it gets a chance to stretch out. Lengthwise is, of course, a treat, and Wolfman's is fun, but that's about all I have to say about the first set. I have always wanted Page to use a more-varied synthesizer palette this way, and it's already paying dividends. Simply captivating and I have high hopes for what will happen with Always Wanted in the future, both near and far. Lovely, heartfelt tribute in Miss You, and I'm beginning to develop a real affinity for this song. Fuego's segue into Sand is not whipcrack-tight, but it's worth hearing in an era where most segues are of the > variety if at all, and the ->'s tend to be less transcendent(?), fluid (I think that's more what I mean) than in years past. Also glad to see Joy still in rotation.
  I have always wanted Page to use a more-varied synthesizer palette this way, and it's already paying dividends. Simply captivating and I have high hopes for what will happen with Always Wanted in the future, both near and far. Lovely, heartfelt tribute in Miss You, and I'm beginning to develop a real affinity for this song. Fuego's segue into Sand is not whipcrack-tight, but it's worth hearing in an era where most segues are of the > variety if at all, and the ->'s tend to be less transcendent(?), fluid (I think that's more what I mean) than in years past. Also glad to see Joy still in rotation.
	 We were up in the lower portion of Section 214. The sound was clear, as were the sight lines.
		We were up in the lower portion of Section 214. The sound was clear, as were the sight lines. 10/15/16
		10/15/16 opens Set II, but the jam feels a bit aimless; like it has no solid direction and it's feet are stuck in the mud, so the band opt to > into Twist. Twist initially seems just as perfuntory as Mercury's jam, but after some nice WTU teases, Fish brings the tempo up and Page starts some tension on the Lil' Pumpkin, before fading into strange effects laden territory and going into I Always Wanted it This Way. This is one my favorite tracks from Big Boat, so it's great to see it debut here. The jam afterward rode a nice funk groove, before Page went to the organ (in a creative way, not just spamming it like a... spastic on 9/4/16, but the jam filtered out before it could reach any conclusion and/or it's full potential (a recurring theme throughout tonight) and the band went into Miss You.
  opens Set II, but the jam feels a bit aimless; like it has no solid direction and it's feet are stuck in the mud, so the band opt to > into Twist. Twist initially seems just as perfuntory as Mercury's jam, but after some nice WTU teases, Fish brings the tempo up and Page starts some tension on the Lil' Pumpkin, before fading into strange effects laden territory and going into I Always Wanted it This Way. This is one my favorite tracks from Big Boat, so it's great to see it debut here. The jam afterward rode a nice funk groove, before Page went to the organ (in a creative way, not just spamming it like a... spastic on 9/4/16, but the jam filtered out before it could reach any conclusion and/or it's full potential (a recurring theme throughout tonight) and the band went into Miss You. Had a blast, and I was with 2 first timers and 1 at his second show.  Although this show didn't give us anything super special, the floor was a great time, and everyone was dancing for the most part. Yes, things have become a bit chatty, but I'm not one to complain so much.  It is what it is.
		Had a blast, and I was with 2 first timers and 1 at his second show.  Although this show didn't give us anything super special, the floor was a great time, and everyone was dancing for the most part. Yes, things have become a bit chatty, but I'm not one to complain so much.  It is what it is.  I felt this show lacked flow.  There were fantastic moments, mainly What's the Use, Timber (the solo was so flavorful), Lengthwise into Maze, and Mercury->Twist.  But I felt like it was up and down with tempo and energy all night.  As soon as momentum was built, they'd bring it down to a crawl again via one of the new ones.  Anti-climatic.  The floor was also super-packed by the end of night 2.
		I felt this show lacked flow.  There were fantastic moments, mainly What's the Use, Timber (the solo was so flavorful), Lengthwise into Maze, and Mercury->Twist.  But I felt like it was up and down with tempo and energy all night.  As soon as momentum was built, they'd bring it down to a crawl again via one of the new ones.  Anti-climatic.  The floor was also super-packed by the end of night 2.   I felt this show lacked flow.  There were fantastic moments, mainly What's the Use, Timber (the solo was so flavorful), Lengthwise into Maze, and Mercury->Twist.  But I felt like it was up and down with tempo and energy all night.  As soon as momentum was built, they'd bring it down to a crawl again via one of the new ones.  Anti-climatic.  The floor was also super-packed by the end of night 2.
		I felt this show lacked flow.  There were fantastic moments, mainly What's the Use, Timber (the solo was so flavorful), Lengthwise into Maze, and Mercury->Twist.  But I felt like it was up and down with tempo and energy all night.  As soon as momentum was built, they'd bring it down to a crawl again via one of the new ones.  Anti-climatic.  The floor was also super-packed by the end of night 2.   It'd been 4+ years since I'd last seen Phish, and boy, alot has changed since then....hell, songs that were "new" to me on this night had already become concert staples since my last show, as evidenced by the crowd participation (like "Fuego", for example). Other songs were apparently new to everyone else too, and this show (as well the night before, I was told) was the proverbial guinea pig for the band to test the waters on 'em. So for me personally, while I did enjoy the show, I spent alot of time digesting this onslaught of new and new-ish material.
		It'd been 4+ years since I'd last seen Phish, and boy, alot has changed since then....hell, songs that were "new" to me on this night had already become concert staples since my last show, as evidenced by the crowd participation (like "Fuego", for example). Other songs were apparently new to everyone else too, and this show (as well the night before, I was told) was the proverbial guinea pig for the band to test the waters on 'em. So for me personally, while I did enjoy the show, I spent alot of time digesting this onslaught of new and new-ish material.  
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