SET 1: Birds of a Feather, Farmhouse, The Moma Dance, Runaway Jim -> Arc[1] -> Down By the River[1], Moonlight in Vermont[2], Will the Circle Be Unbroken?[2] > Amazing Grace[3] > Uncloudy Day[2]
This single set performance was part of the annual Farm Aid benefit concert which also included Hootie and the Blowfish, The Del McCoury Band, Brian Wilson, Wilco, Martina McBride, Willie Nelson, John Mellencamp, and Neil Young. The set featured the Phish debuts of Arc, Down By the River, Moonlight in Vermont, Will the Circle Be Unbroken, and Uncloudy Day (although Will the Circle Be Unbroken was also played during the November 19, 1994 “Parking Lot Jam”). Trey teased Old MacDonald Had a Farm and Dave's Energy Guide in Runaway Jim. Neil Young sat in from Runaway Jim through the end of the set; Willie Nelson and Paul Shaffer sat in during Moonlight in Vermont through Uncloudy Day. Four Native American dancers came onstage before Will the Circle Be Unbroken. Circle featured Willie Nelson on vocals. Amazing Grace was performed for the first time since December 31, 1996 (115 shows) and included instrumental accompaniment. Trey teased 2001 in Uncloudy Day. This set was broadcast live on Country Music Television, though the beginning of Runaway Jim was cut from the broadcast.
 I feel like this show is often forgotten when discussions of the best shows of 1998 come up, but do yourself a favor and check it out.  It starts out with very well played versions of Birds of a Feather, Farmhouse and Moma Dance.  The Runaway Jim is 20 minutes long (including the "Arc" noise jam with Neil Young at the end). Great version! This segues monumentally into the only Phish version of Young's "Down By The River." The interplay between Neil and Trey is really fantastic. You should watch this on Youtube to get the full effect.  I remember reading that Neil asked the boys to become his touring band after this performance, but they had to respectfully decline.  The rest of the set, with Willie Nelson, et al. is more of a curio and shows what it would be like if Phish was simply a backing band. I come back to this tape (sourced from the Farm Aid TV broadcast) time and time again, and you should too. Just another reason that 1998 stands out as a peak year for Phish.
		I feel like this show is often forgotten when discussions of the best shows of 1998 come up, but do yourself a favor and check it out.  It starts out with very well played versions of Birds of a Feather, Farmhouse and Moma Dance.  The Runaway Jim is 20 minutes long (including the "Arc" noise jam with Neil Young at the end). Great version! This segues monumentally into the only Phish version of Young's "Down By The River." The interplay between Neil and Trey is really fantastic. You should watch this on Youtube to get the full effect.  I remember reading that Neil asked the boys to become his touring band after this performance, but they had to respectfully decline.  The rest of the set, with Willie Nelson, et al. is more of a curio and shows what it would be like if Phish was simply a backing band. I come back to this tape (sourced from the Farm Aid TV broadcast) time and time again, and you should too. Just another reason that 1998 stands out as a peak year for Phish.
	 This was a classic "Hey we should go" show. Two days before Farm Aid 98, we assembled a car of 5 people and set off for Chicago. My roommate at the time had a high school friend who lived in the city and offered to put us up for a couple nights. After a great summer tour we were all in for a road trip to see the boys, even if it wasn't going to be a full show. There obviously wasn't much of a lot scene as most of the people in attendance weren't there to see Phish. Upon walking into the venue it was clear that phans were a true minority of the vast audience. Weather is always tricky when you travel to a show. Although we had planned accordingly, we weren't quite prepared for just how cold it was that day. We had made the trip thinking that besides seeing phish we'd also get to check out Neil Young, Wilco and Brian Wilson (I was in a huge Beach Boys phase at this point, which was a bonus). What we hadn't counted on was, an entire day and evening in extremely frigid conditions. Huddled in the lawn among other people there to see Phish, we waited it out. Everyone was talking sit ins and it seemed likely we'd have at least one guest during the set. The consensus was on Neil, and the excitement grew as the lights dimmed. The band started out with a crisp and tight Birds that gave way to a slower more restrained moma. When farmhouse filled the 3 spot it began to feel like we were in for a "greatest hits" set. The band is well known for delivering a song heavy show at festivals, and Farm Aid 98 began that way. It wasn't until they made their way past the structured part of Jim that things took a turn past the expected.
		This was a classic "Hey we should go" show. Two days before Farm Aid 98, we assembled a car of 5 people and set off for Chicago. My roommate at the time had a high school friend who lived in the city and offered to put us up for a couple nights. After a great summer tour we were all in for a road trip to see the boys, even if it wasn't going to be a full show. There obviously wasn't much of a lot scene as most of the people in attendance weren't there to see Phish. Upon walking into the venue it was clear that phans were a true minority of the vast audience. Weather is always tricky when you travel to a show. Although we had planned accordingly, we weren't quite prepared for just how cold it was that day. We had made the trip thinking that besides seeing phish we'd also get to check out Neil Young, Wilco and Brian Wilson (I was in a huge Beach Boys phase at this point, which was a bonus). What we hadn't counted on was, an entire day and evening in extremely frigid conditions. Huddled in the lawn among other people there to see Phish, we waited it out. Everyone was talking sit ins and it seemed likely we'd have at least one guest during the set. The consensus was on Neil, and the excitement grew as the lights dimmed. The band started out with a crisp and tight Birds that gave way to a slower more restrained moma. When farmhouse filled the 3 spot it began to feel like we were in for a "greatest hits" set. The band is well known for delivering a song heavy show at festivals, and Farm Aid 98 began that way. It wasn't until they made their way past the structured part of Jim that things took a turn past the expected.Add a Review
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Review by docbh