[The following does not necessarily reflect the opinion(s) of anyone who works for, or who has ever worked or volunteered for, Phish.net or The Mockingbird Foundation. It is dedicated to @RSTurner, who requested it. So blame him. It's entirely his fault. -Ed.]
“ÍT comes in threes,” some say about bad news.
First, there were several vicious, cowardly attacks on a few fans at the Gorge in July, possibly by one or more white supremacists who were apparently in attendance. Then there was the seemingly last minute cancellation in late August of what was promoted to be, and likely would have been, Phish’s greatest festival ever, Curveball, which led (among other things) to “Curvivors” commiserating for weeks about their (and our) unfortunate—and for many, truly heart-breaking—curveballing. And, now, there is the fake-covering of a fake album by a fake band with a fake backstory, in the all-hallowed second set of Halloween: a set with a legendary history, a history replete with Great Performances that are still wondrous to this day, years —even decades— later.
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