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Ok...
how about some examples of band babble?
Here lie "little snippets of Phish Banter - those hilarious
moments during a show when one of the boys says something that's
so wierd and funny that you just burst out laughing and make all
your friends listen to it. These little moments are just as much
a part of a Phish show as the music (well, that might being taking
it a bit far, but you know what I mean) and I thought I would make
a place to collect those moments so people can come read a few,
have a laugh, and put their favorite banter for all to enjoy. If
you've heard some banter that you think is worthy, write it out
and send it [in]. Include the date, venue, and who is talking if
you can figure it out. ...everyone will get credit for what they
submit. ... Note: Shelly Culbertson has requested that 'uh'
and 'um' be left out of banter transcriptions as it is not necessary
and usually only makes the speaker sound unintelligent. Please take
this into consideration. I am in the process of editing banter that
was previously submitted." -- Jake Morrill
Chronological Index
The whole/actual list
10-30-85 (setlist)
- During intro to the first Harry Hood
ever:
Trey: Welcome to Hunt's everybody...We hope your ready to
dance...We're Phish...We're gonna start out, right now, with a song
that you have not heard yet and this one is a story of the man who
lives directly across the street from us, right now [chuckle] Harry
Hood...And this is a story of Harry and his vacation across the
globe to the sunny beaches of Greece...And it all starts as our
friend Brian places a carton of Hood milk into the refrigerator
do, er, door and closes the door and as he closes the door and walks
away he asks himself a question...(a few seconds later begins the
Harry chorus)
04/01/86
- SneezeBloodEyeball at Liont's Festival of Fools:
Trey (before Icculus): And, ah, this next song is written
by one of our favorite bands, SneezeBloodEyeball, ladies and gentlemen...
08/29/87
- Marley Banter at Mead Ranch, Shelburne, VT - Set 1
A few seconds after they closed out Mustang Sally, Trey, began
a weird little vocal jam on "Everybody's heard about the bird" which
lasted about 20 seconds. He stopped then a few seconds later he'd,
briefly, start it up again. As he started to do it a third time,
Marley, started barking, as if to say,
it was funny the first time, somewhat amusing the second but that
third one annoyed me...
Marley: Woof, Woof, Woof
Trey: Marley, Marley, Marley, Marley, calm down...
Marley: Woof, Woof
Trey: Marley..Hey, come here
08/06/88
- Baked in Telluride:
08/08/88
- Run like Fishman:
Note: It might be a good idea to read Treys' story about Fishman
getting lost in the mountains from the second set of 3-17-91.
This is the date & show Trey is making reference to.
8/8/88 The Moon, Telluride, CO - Set II
Background: At some point Fish walked into the club and the band
reamed him for not showing up on time. Fish told them what had happened
to him and, during Antelope, Trey informed
the crowd of what took place in this manner
Trey: Rye, Rye Rocco..Marco Esquandolas, been you to have
any shpleef, man....[Run, Run chorus begins]...[said in
an mocking, almost angry, tone in almost synchronous timing with
gearshifts] leave town and walk towards the mountains in the
distance, assume that you'll be back by 10 O'clock, walk farther
into the distance naively thinking that you could climb the mountains,
climb the mountain before you, pay no heed when your 2 friends each
take a hit of acid, walk over the mountain and decide that you'll
cut back the long way by climbing, climb down towards the beautiful
valley below which has pretty flowers growing everywhere, Oh No,
realize that there is a 2,000 ft cliff in front of you, start to
shit your pants when you realize the sun's going down, decide it's
time you too should eat a hit of acid, turn around and realize that
you have to climb all the way back up the mountain, start climbing
up the mountain but wait, it's to dark, you might fall, realize
that the other 3 band members are making absolute fools of themselves
playing the "Jazz Odyssey, finally making it to the top of the mountain
and realize that you've got to get back to the bar in the next 10
minutes and realize that there is only one thing left that you can
do..[Band]You've got to run like an Antelope, out of control(x4)...[Antelope
closes]
Mike: Thank You
Trey: Thank you very much
Mike: Good Night
Trey: We'll see...
Fish: Good night ?
Trey: ...you in Burlington
09/24/88
- Window -> Jar:
09/24/88 - Full Moon at The Zoo, UMASS, Amherst, MA - Set II
(Pre-Lizards)
Trey: We are proud to say that the window is now ajar.
Mike: Once a window, now a jar.
04/14/89
- Important Banter:
04/20/89
- Oom Pa Pa!:
4/20/89 Full Moon at the Zu, Amherst College, Amherst, MA - Set
2
Divided, Walk Away, YEM>SOAMelt, Lizards, Mike's>H2>Week, Love
You, Harpua
After Love You
Trey: Sounds to me like the song you want to hear begins
with an "oom pah pah." This song is called "Oom Pa Pa." "Whipping
Pa!" (laughter) "Whipping Pa Pa!"
Mike: "Whip Pa Pa!" etc...
(More with Trey explaining the hand signals for "whip-pa-pa,"
"whip-pa-post," and "hoom-pa-pa.").
Harpua begins
Trey: This story is about an especially mean, ugly, grumpy
bull dog. Not like my dog, who is a nice little golden retriever,
but, true story: did you know that last week my dog was shot in
the ass by some obnoxious person?
(Page and Mike laugh). It's true! It's not supposed to be
funny! But anyway, Harpua was NEVER shot in the ass. (laughter).
Mike: He was never shot in the ass.
Trey: Harpua was never shot in the ass. So one day Harpua
was walking along with his NON-SHOT ASS wagging in the air, towards
town where Jimmy lived. And Jimmy in the meantime was sitting on
his non-shot ass in front of the TV in his house, slowly petting
the non-shot ass of his cat. (Mike (?)
meows). His cat...with his special cat...his cat laying on the
ground in front of the TV with his non-shot ass in the air. And
this was NO NORMAL non-shot ass. This was a SPECIAL non-shot ass.
This was a beautiful white non-shot, non-bloody ass.
Mike: Let's hear it for non-shot ass!!!!
(Band goes into Non-shot ass jam. "Non-shot ass" is sung with
a march-like melody behind it. All 4 are singing along. REALLY funny).
-Regular Harpua narration-
Later in narration:
Trey: Harpua looked at the cat and he says to himself..........
Mike: "Holy shit." (quietly)
Trey: He said to himself, "Oh my God" (with English accent).....(Build
up to Poster's name): "It's the one and only...it's....My god! My
God! My God! My god my god my god my god..etc
Mike: HIS GOD!!!! (while Trey continues to yell "My God!").
This goes on for a while.
Anyway, Trey EVENTUALLY yells Poster's name, and Harpua proceeds
in a very playful manner. Funniest Harpua I've ever heard; this
is a great show for banter. (It's also the show where the fire alarm
goes off during Fluffhead). Anyone know the story about what happened
to Marley?
Who would shoot that cute dog?
05/06/89
- The Tire Song:
5/6/89 Collis Center, Dartmouth College, Hanover, NH Set 1
[after Weekapaug]
Mike: Thank you!
Trey: Thank you.
Page: Mike's Song, and the Weekapaug Groove.
Mike: Weekapaug, Rhode Island.
Trey: Weekapaug, Rhode Island. And that's the beginning of
the trip here. So we took off, we're in Weekapaug Rhode Island and
it's time to move on from Weekapaug now to...lifting off from Weekapaug...you
guys up there on the top there...taking off...and of course, we're
lifting off and we're heading for...GAMEHENDGE. Oh my god, it's
Gamehendge! We're leaving...we're leaving Weekapaug, Rhode Island...and
there in the distance you see it, it's Gamehendge, we're coming
towards it. And off in the distance, there's a fairground. There's
a fairground, at the edge of Gamehendge, and there's all these weird
animals and stuff and creatures walking around...unit monsters,
spotted stripers, multibeasts. There they are...we're walking through
the fairground through this weird midway and over in the corner,
there's a little girl, standing...
[Esther, The Sloth, Possum, Bold As Love]
Page: Thank you.
Trey: Thank you...Alright, thanks. So, uh, now were gonna
do one here. This is another Gamehendge song, for those of you who
might not know that.
Drunk guy: The tire song! The tire song! The tire song!
Trey: [Deep voice] The tire song.
Band: all laugh
Drunk guy: cheers
Trey:[deep voice] The tire song.
Page: laughs
[Band talks to each other, can't tell what they're saying]
Trey: Okay, we're not going to do the tire song, right now.
No, we're NOT gonna do the..WE'RE NOT GONNA DO THE TIRE SONG [breaks
down laughing]. [Still laughing] Oh my god...no tire song... [Regains
composure] Alright, no really, this is another Gamehen...how's everybody
doing up there, uh, in the top there?
Don't fall or anything.
Page: Don't drop anything on anybody's head....We'll get
to the tire song [laughing]. [as Trey says the rest] No, we'll get
to it, we'll get to it.
Trey: Ok, no really, no, no really, this is another, uh,
this is another Gamehendge tune. We're takin' it to Gamehendge.
We're taking it out to Gamehendge. This guy's waitin' for a song
here, he's gonna get it, he's gonna get it [laughs]. 1,2,3,4...
[AC/DC Bag]
05/28/89
- Ian's Farm:
5/28/89 Ian McClane's,
Hebron, NY - Set 1, after YEM
Someone?:
"There's a announcement to be made [Fish interrupts]"
Fish: "We need a volunteer for a keg run!"
Guy in audience, who I have heard at other Ian's shows, who is
probably Ian himself (Mr. Sharpless, your learned opinion??)
( "Ian" says, from off stage): "Welcome Lulu to the show."
Trey: "We'd like to welcome Lulu to the show first of all."
Page, wistfully: "Lulu, Ian's mom."
Trey: "Second of all, those of you who feel you won't need
to poop in the next hour or so, we'd like you to go on a keg run."
Ian (comes to mic): "Atta Boy."
Another guy from the aud, Guy #1, who also comes to the mic:
"We have the money. We need a sober driver, and a pickup truck."
"Ian" (intoxicated): "No Dee-Wee [DWI] allowed let's get
a driver up for a keg run. Let's go let's go let's go!"
(some guy, maybe Fish.. off-mic): "Your mother. Send your
mother for the keg run."
Trey (on mic, in highpitched cutesy voice): "Who are you
marley. Marley marley marley marley how are you where are you over
here marley marley come here"
Fish (on mic): "I think those extremely sober men over there
are trying to say that they want to drive down [laughs]"
Guy #1 (on mic): "I will supply the pickup truck for someone
I deem sober."
Fish (on mic): "I'm sober. [long pause] Hey-uh. I'll drive.
I'm sober. Not that that makes a difference. [cackles]."
End of Set 1
More from Ian's Farm...
Audience Member: Let Page sing !!!
Pause
Trey: Page will now sing a number to his choosing.
Laughing erupts on stage, and Fishman yells something like
"Turn it off ! Turn it off !"
Trey: Page will now sing Down on Thunder Island.
More laughing
Gentleman in the dark over there: "Ride Captain Ride"
Trey to Page: Ride Captain Ride?
Trey: Ladies and Gentleman the choice has just been made....,
after long deliberation, Page has chosen the song he will sing
and, he has been pushed over the edge by the gentleman in the
dark over there who screamed..............for this number.
Still more...
Trey: So this is how you mountain people live, huh?
plays a little jazz ditty
Trey: This little pun is thought up by Chris Kuroda. Don't
blame this pun on me! Purple! Where'd you get that?
PUN by Chris Kuroda! One, Two, you guys know what we're playing?
Fire. Get it?
Get it?
MIKE?PAGE?FISH?:
in a funny old man voice Everyone ready to rock and roll?
Fire
Guy in crown: You guys suck!
Trey: while breathing heavily into mic Oaky, Okay,
Okay, What is it?
crowd yelling, other unintelligible things on stage
Trey: Gettin' it up?
Gettin' it up! We have a request for gettin' it up & of course,
that is Page's department, so Page?
Page: We'll take care of it.
Trey: Page will take care of gettin' it up. Keeping it
up, keeping it up, of course, that's Mike's department!
Page: It takes all four of us.
Trey: Once it's up. And letting it back down again, of
course, that's Fish's department!
Mick: The turtle. Fish "The Turtle" Fishman.
Trey: Johnny B alias, "The Turtle" Fishman. You all saw
it at the rock rumble!
more unintelligible stuff
Mike or PAGE: Yamar?
Trey: Yamar?
Let's bring it up, let's pick it up.
Fish: I don't have my cowbell or my woodblock.
Mike or Page?:
Let's do a total Mike's.
Fish: Alright, alright.
Trey: How about Mike's Song?
Fish: Alright, yeah.
Mike: Well?
Trey starts Mike's WAY too fast & everybody else comes in right
along for a few bars before it falls apart
Trey: That was silly! That was silly.
Now Mike's proper starts with lots of shouts by the band during
it such as "Here comes the beer! Phleagh! Beer!"
10/20/89
- Split Open and Do-over:
10.20.89 The Front, Burlington, Vt - Set II
No Dogs Allowed, Walk Away, Dinner/Movie,I Didn't Know*, AC/DC Bag*,
Donna Lee*, SOAMelt*, Hood*, Swing Low Sweet Chariot Jam*, In a
Hole* E: LaGrange *, Slave*
* w/ Russ Remington and Dave Grippo on Saxes
We join the band during SOAMelt, where they break into the acapella
harmony, "We breathe deep..." portion of the song.
Music tails off, Fishman does the count out...
Band[acapella]: "We breathe deep, in a steam dream, and plunge
below the water line.....pause, everyone trails off in a jumbled
mess"
Trey: We should just do that again, that, I can't stand it.
This is, like, the coolest thing we were gonna do all night, and
the lights went off and they couldn't read the fuckin' music, so,
we're just gonna do it again. Sorry, I'm so psyched for this, the
fucking lights went off. Argh laugh....
Fishman begins the SOAMelt drum intro from the top
Trey: Let's just go back to the beginning...make sure the
lights don't go off Chris.
SOAMelt from the top
12/15/89
- Chris Kuroda:
12/15/89 Ukrainian National Home, New York City, NY
Before Funky Bitch
Trey: While he gets this mic cord ready, I want you guys
to help us out with this little gag we want to play if you will.
Okay, let me explain this to you: we had this light his name was
Tim and he played harp, he used to come up and jam with us once
and a while. He wasn't that good but...he had a lot of fun...just
hang on, hang on. Anyway he left us and we have a new light person
with us named Chris and this is what we want to do. Paul our soundman
is taping this whole thing so what he's done now is turned off the
tape while I explain all this to you, and when John (Popper) starts
playing what we're gonna do is we're gonna introduce him as Chris
so we can give Tim this tape and say "Chris is picking up the harmonica,
he's getting pretty good here's like a tape of him playing" So when
you guys yell you gotta yell (screaming) "Alright Chris!"
(stupid laughter by Trey) Tell me when you're ready Paul...cool...(paul
now taping)Okay we're gonna get our light man Chris Kuroda up here
to play some harp with us.Here he comes! (John Popper comes out)
Lets hear it for him Chris Kuroda our light man.
Funky bitch is played
Trey: Chris Kuroda!
Jesus left chicago is played
Page: Thank you!
John Popper: Better get back to those lights. (leaves)
Audience member: Chris sucks!
Another Audience member: What you will!
Trey: What you will.
Contact is played while Wilson is being chanted
Mike: (in deep voice) Thank you very much.
Bowie played
Trey: Thank you...very much. We'll see you uh...nevermind.
Blues Traveller up one more time give it up. Thanks a lot.
12/28/90
Page Caleb Snyder, your license is on my piano. (Pause) Your wallet is at
the front door.
Trey Your life is in our hands.
submitted by: <PwrGull420@aol.com>
05/04/90
- Boy Scout Anthem:
5/4/90 - Colonial Theatre Keene, NH - Soundcheck
During "Carolina"...
Fish: [sings, with rest of band singing normally] "Nothing
could be finer than to be in HER VAGINA in the morning"
[Song ends]
Fish: I had to, I had to, just once. Just once, I had to
sing the Boy Scout anthem.
11/04/90
- :
11/4/90 Fort Ram Nightclub, Fort Collins, CO - Encore
Mike: We'd like to play another song for you.
Trey: We got the disco lights on here, now.
Mike: We're gonna do a little disco number for you...
Contact
03/17/91
- The Bear Story:
03/17/91 - Wheeler Opera House, Aspen, CO - Set 2
Trey: We're going to do some of the newer stuff for you.
Guy in Crowd: Old days!
Trey: Old days?
What do you want to hear man?
Let me ask this guy here. What do you want to hear from the old
days?
Guy: A Jimi Hendrix song.
Trey: A Jimi Hendrix song?
Maybe later. If it's an original tune we'll do it man, we'll take
a request. How about mike?
Where's mike man?
Do you want to make a request?
Mike (not Mike Gordon): Slave.
Trey: Alright we're going to do mike's request here. Thanks
mike. A telluride contingent over there. [people sceaming]
are all those people from telluride?
[more screaming] I just want to say that we're hoping to
recreate our first Colorado experience. It was [to the band]
three years ago?
Like three summers ago [to the band] or maybe four summers
ago?
Four summers ago the first time we ever came to Colorado it was
our first road trip. We got offered a gig in Colorado at Telluride
at the Moon or I mean actually at the Roma, at the Roma. Warren
Stikmee it was at the Roma. We ended up playing at the moon, but
we were playing in Burlington and we had all these gigs at our local
bar Nectars that we always played at in Burlington. So we decided
we were going to go out on this tour. This guy was going to book
us this big Colorado tour all these gigs and we told everybody in
Burlington you know 'we're going on tour.' [said with spiccoli
accent] it was our first tour we were all excited and so we
had our going away party gig at Nectars one night. You know we said
good bye and everybody came out to say 'yeah kick off the tour!'
and the next morning we got ready to go we called up and it turned
out that it had been narrowed down to one gig where we'd be playing
for the door in Telluride. See we were going to drive all the way
out to telluride for this gig so the next night we ended up... we
weren't going to go. We went back to Nectars embarrassed you know
standing there like 'well we're back. we didn't get to go.' The
next morning we decided to go anyway. So we got out to Telluride
and we played for like a week staight every night at the Romato
about twenty people. It was the same twenty people every night.
Mike was one of them. It was great. It was amazing. So we're hoping
that maybe next summer or something we can go back out and do it
again.
Fishman(?):
For the door.
Trey: Play for the door.
Audience member: We're waiting for the first california show.
Trey: Thats next week man. I can't wait. Anyway here's Mikes
request. From the old days.
Audience Member: Tell another story.
Trey: Another story?
I'll tell you what. Maybe we'll get fish out here to tell one of
his stories. He's got some great ones man. Alright here's what we'll
do. we'll do this song, then we'll get Fish out and maybe if you
guys egg him on enough he tell you the story about the bear. He
knows some good jokes too. The Jamaica Joke is one of his favorites.
Begin Slave
Post-Slave
Trey: Thank you. [HYHU begins; onstage laughs] Here he comes
ladies and gentlemen...here he comes now...the man with, the man
with the stories...the hardest man in show business ladies and gentlemen...the
man who's gonna tell you the story about the bear ladies and gentlemen...Henrietta,
let's hear [HYHU ends] it for him...[onstage chatter]
Fish: Alright, look...This is you know, they're just ragging
on me because I can't keep my mouth shut on long hauls...Anyway...
Trey: Fish...
Fish: ?[mumbles
something]
Trey: ...if you don't feel like telling the story about the,
ah, bear you can tell the story about getting lost in the mountains.
Fish: ?,
well, I could tell you this one other story... When, when we did
go out to Telluride the first time. Aww, alright you want to hear
the bear story?
Okay there's, there's two bear stories. One, one bear story is in
the Adirondacks.
Page: Let's just hear one bear story.
Fish: Okay, we'll hear one bear story. I don't know which
one I like better, well [onstage chatter]...this is, this is bad
and this is true and you know no one believes me but this, this
sucked. I was, I was, all right. I was hiking the Adirondacks and
it was near this place, Long Lake, and there was, and there was
bushwhack. I'd been bushwhacking through you know it was like, ah,
about 6 days of bushwhacking and, ah, [background music for a few
seconds]...bushwhack music here...So, we ?,
I came out on the trail and I, I started hiking around. It was like,
you know this, there was a hill and there was a bend and a whole
bunch of trees and shit and in the Adirondacks they don't, you know,
you don't have to have bear...[Mike plays some theme music(?Peanuts?)]...bells
or anything like that and, ah, [chuckles]...so, so I'm hiking along
and I come across this bear and it was a black bear. That which
you normally aren't, they, they climb trees really but their normally,
you know, not mean or, they're really like cats or something you
know and run away. They don't, they don't want to meet you any more
than you want to meet them and, uh, so this bear was a female bear
and she was mad and she I swear and she and she looked at me and
I knew right away she was mad. So [chuckle]...I had to, I had to
drop my...I took my pack off and I was very calm about it and I
took my pack off and I kind of, you know and I started, you know
they tell you, your run in with them. Take your pack off and you
walk backwards and that kind of thing. Well, I started walking backwards
and this bear just started walking toward me and then like started
trotting toward me and, you know, ah, and then it didn't look happy
and she was eating too, which is another thing. When they stop eating
and then come after you there's something wrong. So, all right,
so I ran up a tree. I ran up this tree and I can't climb trees for
shit but I did. I climbed this tree and I, ah, went up this tree
it was like a, it was not like a very wide tree but I was up this
tree and I was about 15, 20 feet off the ground and this bear was
fat and she couldn't climb all the way up this tree and it was like
kind of a, well she couldn't tear it down either which was, you
know. I was sitting in this fucking tree and, and you know and I'm
sitting there and this bear is really mad and she's clawing at the
bottom of the tree and she's [Fish does his best bear imitation]...she
really doesn't like me and there's this whining sound. I hear this
whining sound and I [Trey makes sound whine noises w/ the 'doc]...look
up and there's this a cub in the tree. I'm in the tree that her
cub was in. So I am sitting there and I had to sit there and this
climbing sound and this mother bear clawing and the little bear
on top and I sat there for 3 hours. I sat there until I and it was
on a hill sort of and I could kind of see the, er, trail and these
people were coming up the trail and I started screaming and yelling,
you know, [Fish does an imitation of his yelps]...you know and they
couldn't make out what I was saying. I was saying, you know, don't
come up here there's a bear up here, go get a ranger. So they started
hiking away and, ah, they eventually understood me and they went
and I sat there like for another hour and then the ranger came and
they shot the bear with a dart and they put her to sleep and I climbed
down and I don't know the little, the little baby bear. They get
the little baby bear down and the mother bear is lying on the ground
unconscious and we all walk away very, you know, and that was the
story but I don't, I almost. No one died, nothing died, it was a
happy ending. It was a good one and it was a good scare...all right...anyway...What
a long gig [Aud. member yells "Honey love ya"]..Thank you, thanks.
[HYHU begins]
Trey: Henrietta, ladies and gentlemen. The hardest man in
show business. And now driving one person to leave the theater.
[HYHU ends; An aud memeber yells "No dogs allowed"] That's got to
be Eric [chuckles]..Am I right?
It's Eric...
Fish: ?
Trey: Eric has been watching us, following us, watching us
play for years now and he always requests the same song.
Fish: And we've never played it for him. [snickers]
Trey: Hmm, we've played it once for him.
Mike: And tonight
Trey: We're not gonna play it for him
Fish: Tonight [makes a wailing noise]
Page: We're not gonna play it for him.
a few moments later
Trey: I could tell you another quick story about, about Fish.
Now that, now that he's come up here. This is it, just to finish
up the Telluride story. When we were in Telluride we played for
the first four nights or something at the Roma. [Trey asks band,
"Is that right"][??
response] No he had his dress...[Someone asks a question] No, he
didn't get the dress out of the free box but he got some other clothes
out of the free box.
Fish: It was brand new, then.
Trey: That dress was brand new when he got it. Okay, so llet
me tell yo the story. So there's Fish, so we get to the gig every
night around 10 and we just left the equipment set up because we
were playing in the same place. So one morning Fish decides to go
hiking with two friends of ours who were of questionable intent.
Charlie, my friend and um, they go waltzing up into the mountains
in Telluride and so we don't see them for the rest of the day and
then we get to the gig around 10 and we're supposed to go on about
10:15 and Fish doesn't show up. People are starting to get worried.
People in the club are starting to get worried, they ask "Where
is he" and we say "Well he climbed up into the mountains with some
friends" and of course by this time it's dark. So everybody starts
saying, well that you know, "They shouldn't be up there at dark,
it's really pretty dangerous" and you know, the guy's from the east,
they've never been in mountains like this before and we're like
"No man, no man, don't worry". So it's getting to be like 11. Finally
we had to start playing. So we played the first set without him,
just the 3 of us. We did the Jazz Odyessey [Laughs]...Where I play
the drums and still no Fish. So we take a break. We take a long
break, you know, 15 minutes or something. No Fish. Played another
set without him. Two sets so far without him. Finally about 1 O'clock
[chuckles] the doors open up and Fish comes walking in, in through
the door with this big bundle of flowers, big wide eyes, comes walking
through the door. [laughing] So we played a couple more songs and
ended it. Ah, yeah what a guy....What's that?
[aud member requests Chalkdust] Yeah, I'll play that one [Tells
the rest of the band]....Okay, we're gonna do a, now that we did
some old stuff, we're gonna just do new stuff to end thee, ah, evening
here.[Some fans voice there opinion]
Page: [In the background]Are we supposed to stop?
Trey: We're kind of...
Fish: And you hate the new stuff already.
Trey: ...already over...You know, it's interesting, people,
people ask like why we stop or why we don't play longer and stuff
like that. I gotta tell you that it's, there's always a limit at
the club. They tell you exactly what time you have to get off the
stage, so we always push it right to the end, you know.[aud member
says ?]
Alright, we'll move off. Okay, but this is, ah, this is called Chalkdust
Torture. Some of you might have heard it already but it's pretty
new, and it might be on an album because we're making a new album
right when we get back from this tour. Here it goes...[>Chalkdust]
Encore
Post-Lawn Boy
[Aud. member makes a request
Trey: I haven't played that in so long that I think that
I might not do justice to it.
mumbling
Trey: Ok, here we go...
Fish: Look, I have to correct one little part of that story..the
reason I was late was not because I was..out of my mind or anything..It
was because we went down the wrong side of the mountain and we decided
we'd take a different creative route and went down the wrong side
and hit a sheer cliff and had to go all the way back up and the
wide eyes was because I had an extra boost of energy to get back
up the mountain..Yeah, and that's the truth[chuckles]
Page: Thank you so much for that story Fish...
Trey: It wasn't just the flowers it was the way he was looking
at them when he walked in the door...They're all like limp you know
and he said he had picked them hours before and he couldn't put
them down, you know[Laughs]
Fish: They were nice flowers..??[>La
Grange]
03/22/91
- :
3/22/91 The Inferno, Steamboat, CO - Set 2
During Fishman's solo screaming in "Suzie Greenburg"
Fishman: What a bitch!!
04/11/91
- The Prison Joke:
04/11/91 The Cave(Carleton College), Northfield, MN - Encore
After Fee
Trey: As we fade out here..?..even
though we weren't planning on it. We should bring..[HYHU begins]..the
one and only Henrietta to the front of the stage because...I think
that if you guys yell loud enough he might be able to tell you a
funny joke... ladies and gentlemen...Henrietta!!![HYHU ends]
Fish: I'm not telling any funny jokes..This isn't funny...
No...there's nothing funny about this.
Mike: This is serious as a heart attack.
Fish: This is serious as all hell.{some ??
mumblings)
Trey: Maybe if you yell loud enough Fish will tell the Prison
[Fish and Trey chuckle] Joke.
Fish: Alright, the Prison Joke. This is, this is good...
Anyone ever heard of John Fox...Alright, well there was this tape
we got you know, you know we're driving miles and miles and [*]
miles and we ?,
everytime you stop at one of those, ah, you know, those 24 hour
marts and everything and gas. They, everyone, was looking over the
tapes and they have this thing like "Truckers Comedy", you know,
volume 1 and volume 2, volume 3. They all say, like rated x, adult
humor and stuff. But, so there's these just tapes of dirty jokes.
So there's this one really, pretty funny one, there just like this
1/2 pint guy and [**] ah, how did it go.....Alright, you know, okay
so I've only, only heard this joke like once or twice..but, ah,
alright so there's this really small guy, like ?,
skinny and everything. He was small and he goes to jail.. and he's
in this, this, you know there's all these huge guys, you know, in
line to go into prison. Then, ah, there's this, they put him in
a cell with this huge guy. He's like 250 lb. guy, you know, huge
monster of a guy and all day he's like really, you know he's like
really afraid and he's like timid and hanging in the corner and,
ah, you know, everything goes okay, you know, no one's, no one gets
hurt or anything. So they go to bed, go to sleep. He's sleeping
in the top bunk, the little guy and the other guys sleeping in the
bottom bunk and, ah...about 3 O'clock in the morning the big guy
downstairs, he wakes...pokes at the bottom of the bed he goes(in
a deep voice) "Hey, wanna play house?
I wanna play house," and he says, the guy goes, "You wanna be the
man or the wife?"
and the [Fish chuckles] and the [chuckles again] and the little
1/2 pint guy's like(in a wimpy voice), "I wanna be the man" and
he goes (deep voice) "then come on down here and suck your wife's
dick!" [Laughs] Alright, well alright, alright, third person joke.
It's all in the delivery [HYHU begins] that's why I'm not a comedian.
That's why I play drums and I, I play the vacuum cleaner. That's
about all I know, but, ah, I guess some other time.
Trey: Henrietta, ladies and gentlemen, Henrietta!!
Fish: Alright, I'll...
Trey: The one and only Henrietta, ladies and gentlemen
Fish: The subtlest vacuum cleaner solo ever.
[*]= Mike starts playing the bass line to Jesus left Chicago
[**]= Mike stops playing JLC
07/14/91
- :
7/14/91 Townshend Family Park - Townshend, VT - Set 1
Before Reba
Trey: Yet at the same time I feel overdressed because it
IS National Nudist Week, ladies and gentlemen....let's get naked.
08/03/91
- :
8/3/91 Amy's Farm, ME - Set 2
Right before The Curtain
Someone: Saying something to the effect that the band should
hurry up, what's taking so long, etc.
Trey: "Hey man, you try to remember all this stuff!" [laughter]
10/06/91
- Henrietta:
10/06/91 - Macalester College, Northfield, MN - Set I
Post-Brother
Trey: Uh, that was called 'Brother' and that's a new song
and that was dedicated to the guy who offered us $10,000 dollars
to play a different song tonight....Wherever you are out there.
Fish: C'mon up, wherever you...
Trey: Anytime you want to come on up and give us the money...
Fish: Yeah, cash, hard cold cash...
Trey: Cash and we'll play it...(a few seconds later)
Trey: Well, uh, Mike has broken a bass string, so what do
you say, what do you say we get, the one and only...Ladies and Gentlemen
[HYHU theme begins] let's get him up here for a quick ditty while
Mike changes his bass string....Henrietta, ladies and gentlemen..Let's
hear it for him...
Fish: I hate this fuckin' song...I just want you all to know
the only reason they play that song is because I hate it...[HYHU
ends]...
Fish: Now, when in doubt...
Trey: Fish hates...
Fish: When in doubt...
Trey: ...alot of different songs and that one he hates the
most and that's why it has become the Henrietta theme song...
Fish: That's right...All I have to do in this band is say
I hate something and it'll be done.
Trey: Forever...It used to be La Bamba but now it's...
Fish: Okay..My...
Trey: Hold your head up
Fish: Mother always said to me "when in doubt son, vacuum".
So...
???:
A wise woman...[a few seconds later Terrapin begins]
Set 2
During I Didn't Know (prior to Fishs' solo)
Trey: He's back ladies and gentlemen, you know, maybe before
he starts playing his trombone...maybe, maybe, just maybe. This
is a very special occasion tonight. Before he starts blowing his
trombone, this is, we consider this a special occasion. We won't
tell you what that occasion is. We will say that last time we where
in this area, ah, we played at...Carleton College and some of you
might remember that Fish got up. We made Fish get up and tell a
joke and it was absolutely the stupidest joke ever. I don't know
you guys where there. You remember, you remember the punch line.
I'm not gonna tell you. Alright, well maybe this time he can redeem
himself. So we're gonna try and get him to tell another joke and
maybe this time he can redeem himself in the area because most people
around here think that he is a pretty bad joke teller but let's
see what he can do ladies and gentlemen.
Fish: Alright...Why did the Siamese twins go to England?
To let the other one drive for awhile.[>Trombone solo]
10/19/91
- Mimi Fishman:
10-19-91 Santa Cruz, CA - Set II
HYHU theme [post-Oh Kee Pah]
Trey: Ladies and gentlemen, that special moment of the evening
has arrived..because not only are we about to bring to the center
stage the one and only...First of all, let me tell you that Henrietta
is dead ladies and gentlemen, dead and gone. You'll never see Henrietta
on the Phish stage again..but let me tell you that he has been replaced
by the one and only, Showboat Gertrude...ladies and gentlemen, assisting
Showboat Gertrude tonight will be the one and only Missus Gertrude
herself... Showboat Gertrudes' mother from Syracuse, NY, lets hear
it for her[HYHU ends]
Fish: Whew, this is a special moment for me..This is my mother
Miriam Ruth...and I am proud to say she has taught me everything
I know about playing the vacuum cleaner and everything else too.
Mimi: But not cleaning.
Fish: No, No [chuckles] Alright.
Trey: Maybe, ah [chuckling]...we won't get into it...I
was gonna say maybe we could get a few stories out of Mrs.Fishman.
Maybe about the times she caught Fish in his bedroom [laughs]
Fish:[loudly protesting] NO, NO
Mimi: No
Fish: No, I'm sorry, No, we're just gonna have to censor
this right here. Okay, I never had a bedroom and I was never in
it. So I'm gonna sing you a love song and my mothers gonna play
the vacuum cleaner lovingly, too[>Terrapin]
11/01/91
- More Henrietta:
11/1/91 - The Gothic Theater, Denver, CO - Set II
II: Tweezer, My Sweet One, It's Ice, Chalkdust, Eliza, Mike's>
I.A.H.> Weekapaugh Groove, Take The A Train, Tela, Cavern, Poor
Heart, Tweezer Rep. E: Love You, Stash
How can you go wrong with a Fishman encore?
The HYHU theme quiets down, and Fishman settles on doing Love You,
by far my favorite Syd Barrett tune to hear Henrietta do. Fish does
the band/crew introductions, including the following one shortly
before his vaccum solo...
Fish:...and lest we not forget the man in the back...selling
T- shirts, and doing things like that...talking to you, being nice
to you, loving you, kissing you, hugging you, the one the only -
Andrew Fishbeck! OK...Syd Barrett wrote this song...
(Love You gets wrapped up, but instead of HYHU, the guys break
into something different...)
Trey: You're probably wondering what that last little outburst
of music was and why we weren't playing the traditional Henrietta
theme music...(HYHU tease from Page)...well, the reason we started
playing that old Argent song as Fish's Henrietta theme music is
because he hates that song more than any other song ever written...except
La Bamba. (La Bamba tease from Page and Mike)...
Fish: Well, there's a few more...
Trey:...so we decided that it was only apt that it become
his theme music. But tonight, to let up on it, we decided that we'd
play "Pusherman" by Curtis Mayfield, because he likes that song.
But that's it...it's back to Argent from now on. (mumbles to the
band about what to do next). OK, we're gonna play this last song,
this is a request from some friends of ours from the Phish.Net...I
don't know if you guys know what that is but it's a computer network
set up around the country, and you can hook into it, and these people,
uh...so this is a request...we're honoring requests...(feedback)
sorry about that...1, 2, 3...
(Stash concludes the first encore. According to the Helping Phriendly
Book, there is a second encore, YEM, that does not appear on my
tape.)
11/14/91
- Roll like a Cantaloupe:
11/14/91 - The Cat's Cradle, Chapel Hill, N.C. - Set II
II: Dinner & A Movie, Roll Like A Cantaloupe, Fee, Paul and Silas,
It's Ice, Glide, Tweezer, Take the A-Train, If I Only Had A Brain,
Lizards, Tweezer rep. E: Bouncin', Good Times Bad Times
Dinner & A Movie opens the second set with many a Smells Like Teen
Spirit tease, and even some "oooohs" and "aaahs" from the crowd.
Antelope picks up on the heels of Dinner & A Movie. During the pre
"Rye, Rye, Rocco" jam, Trey fades in and out singing "Hello, hello,
hello, hello..." ala Kurt Cobain. Finally Trey, gets around to asking
if you have any spike, and then...
Trey: Set the gearshift for the high gear of your soul!...then
walk through the doors of the supermarket...wander past the frozen
food section...go past the baked goods...slowly walk by the personal
products...meander slowly past the magazine section...step slowly
by the courtesy counter...walk towards the produce section...slowly
go towards the fruits and vegetables...lift the small, round, fruit
in your hands...you got to Roll Like a Cantaloupe, Out of Control!!!
(Song finishes as Roll Like a Cantaloupe)
Trey's
Grandmother:
Unfortunately, this bit of banter came to me as unlabelled solo
filler, so I've had to figure out what show it's from by context
clues. The performance of Satin Doll is too polished to be pre-
1990, IMHO, leaving three choices: 2/25/90, 4/12/93, or 5/8/93.
The '90 show is at a club in Maryland, not a school away from the
east coast; the HFB said Trey introduced the crew during the 5/8/93
SD, not done in this one; So that leaves 4/12/93, Student Union
Ballroom, U of Iowa, Iowa City, IA. I also live in Iowa, so this
story is _especially_ cool to me. =) -Tim Wade
TREY: Thank you...OK, uh, before we go any further here,
I just wanna tell you guys a little story, this is a very interesting...you
guys can - if you wanna give me a little old time back-up music,
that's cool here, 'cause this'll only take a minute...this is really
an incredible story here that, uh, takes place in this very room.
This starts in 1908...my great grandfather graduated from this school
in 1908. (cheers) Ok..(Trey chuckles...Page is starting to chord
out Satin Doll)...OK, let's see, uh...so my great grandfather graduated
from here in 1908, he was a dentist, uh, orthodontist/dentist, he
was the first dentist ever to use, uh, nitrous oxide in this state
(BIG cheers)...so..._very_ popular guy, let me tell ya, very popular
guy...well he went on to have a, uh, daughter, and that daughter
of course was my grandmother, my grandmother who I just talked to
yesterday on the phone, told me that - oh, by the way, there's some
cousins of mine here, also, there they are down there, so they already
know this story, but the rest of you don't know it...my grandmother,
um, many years ago, this was back in the thirties, um, every Saturday
night, she said, literally hundreds of times, she came into this
room to dance, she saw Duke Ellington here, and all the other orchestras
used to come to town, um...right here...uh, this is, I think it
was 1926, as far as I know, so she used to come here every Saturday,
she met my grandfather, danced with him right where you guys are
standing, probably went outside, who knows what happened, but the
next thing you know my mother was born...and, uh, my mother wasn't
born in this state, and then she moved to the east coast...I was
born...and, here I am, back here, and the incredible thing is that
you're - I wouldn't be here, if my grandmother hadn't danced on
this very floor, with my grandfather, to Duke Ellington... (cheers)...and
neither would you, I suppose, I mean you'd be in the school but
you wouldn't be here...so it's a pretty incredible story, and here
we are back here, and now I wanna - oh, yeah, and one other thing
she told me, it's a funny thing, they used to drink near beers during
prohibition, but just so everybody knows, she said everyone thought
that all the people in this state, all the kids were so nice 'cause
they drank more near beer than anywhere else...uh, the thing was
they were all pouring bootleg alcohol, and she says she'd pour out
half the beer and fill the rest with this...then you're talkin'...dance
out on the floor and whatever would happen, so now we're gonna play
one here, if Page will, uh, do the, do the honors for this, now
that you've started us off, we're gonna play one for my grandmother,
who isn't here tonight, but, but...just, if you can picture that,
years and years back, this is the kind of thing they were dancing
to, and feel free to grab a partner next to you and, swing your
honey across the uh, floor there...
As you can gather, Page, Mike, and Fish have gotten Satin Doll started
up behind this story, and now the Chairman does the honors...what
a great story. =)
03/20/92
- Cousin:
3/20/92 Binghampton, NY - Set 2
Just before Mike's Song
Trey: Help me. I'm melting and I can't solidify.
Laughter and applause from the appreciative audience
Someone (probably Fishman, in "Wicked Witch" voice): MEEELTIINNG!
12/30/92
- Cousin:
12/30/92 Symphony Hall Springfield, MA - Set 2
Awesome show. Anyway after an awesome YEM Trey starts playing
the opening melody to TMWSIY.
Mike: I'd like to send this one out to my cousin, Julia Gordon.
Trey: I'd like to send this one out to my cousin, Tom.
Page: I'd like to send this one out to my cousins Bill and
Deb, Bob and Sue also (unsure about names Page says)
Mike: I have other cousins.
Trey: We'd like to send this one out to all of your various
cousins.
Page: And to those of you who are cousins.
Trey: To those of you who are cousins we send this one out
to you.
Trey: Cousin
Mike: Cousin
TMWSIY intro music stops...they wait for page.
Page: Cousin?
12/11/94
- Meat:
Mike I get home from work, what do I do.
Fish I didn't know you worked
Mike I go out to eat, what do I do..
FIsh Do you eat meat?
You know meat's bad. You shouldn't eat meat.
02/13/93
- Delaware:
2/23/93 Bob Carpenter Center, Newark, DE - Set 1
Before Lawnboy
Trey: Hey I have an announcement to make here from the building
manager....it says here for your own safety, the aisles must be
cleared. laughing Please, help the ushers out here.
We just want to thank everybody for coming out here and making our
first Delaware gig ever. It's such a great arena. applause
We're going to get Page out here to sing a little song in honor
of our first Delaware gig. We'd like to sing this song for the whole
state of Delaware.
Lawnboy begins
After Big Ball Jam
Fishman: as HYHU ends Thank you very much ladies and
gentlemen, thank you very much. Wow, there's alot of people here
tonight. We're going to see if we can get a little sing-along going
here. This is a very nice song, rather, it's sort of a sad lament.
It's where I'm left out naked on the plank. I wish. I can get arrested
for that these days.
Drunk girl seated right next to me: I want to see you naked!
(you can't hear this on my tapes, but I *distinctly* remember this)
Fishman: I love you, too. pause I formally apologize
for drinking water in front of you all, but we gotta have it up
here. Now whenever you all care to join in, I'll start this song
then kind of back away and we'll all sing along. And then I'll do
a vacuum cleaner solo, but you all have to keep singing. I'll do
it while you're singing. Wait--let me get my note.
Lengthwise begins
Fishman: after vacuum solo I'm sorry, but I lost the
beat.
Lengthwise ends
05/03/94
- Brain Farts:
5/3/94 Starwood Amphitheatre, Antioch, TN - Set 2
Before the Oom Pa Pas of Harpua starts, Fishman begins the first
beats of Harpua (which are of course are supposed to go after the
Oom Pa Pas, because after all - what is a song without Oom Pa Pas).
After making this mistake...
Fishman: I want to formally apologize for that false start.
This happens to me, you know?
Brain Farts.
Then some unintelligible stage banter
Trey: "OK, Fish wants to play this one so we'll play this
one. (then, in a whisper) It's been a while since we played
this one.
Oom Pa Pa, Oom Pa Pa, Oom Pa Paaaaaa-aahhhh, then Fish comes in
at the right spot and off we go for a killer Harpua with the narration
having Jimmy listening to Cream's "Sunshine of You Love" and Stevie
Wonder's "Sunshine of My Life" at the same time. Same set has Allison
Krauss sitting in for "If I Could." Goot Stuff Mon.
05/04/94
- Baby Banter:
5/4/94 - State Palace Theatre, New Orleans, LA - Set 2
Ending Lyrics of "Run Like an Antelope"
Trey: I just found out a couple of minutes ago that, uh,
my best- one of my best friends from home is, this very second,
giving birth to, uh, a new baby, and that last jam was dedicated
to you, new baby, wherever you are, and I'm gonna give you this
tape, and I hope that you, uh, live your life, uh, like that jam.
(pause) Rye, rye, rocco. Kelly's new baby, I think you should name
your baby Marco Esquandolas. Yeah, Marco Esquandolas Carnavero.
Alvenu tahamaney... spike. Mon!
07/03/95
- Bette Midler:
7/3/95 Sugarbush Summer Stage, Fayston, VT - Set 2
The band is just starting Lizards when Trey forgets the lyrics.
He tries to recover but he can't. The crowd goes wild, and Fishman
teases, "Maybe you need a teleprompter." The crowd goes wild and
Trey eventually charges into BBFCFM.
11/28/95
- Bette Midler:
11/28/95 Civic Center, Knoxville, TN - Set 2
Post-Free
Fishman: Ladies & Gentlemen, this evening..We have a man
that I want to make a very, very special dedication to. It's time
now that after 12 years in this band that I come clean. I'm not
a creation of my own will. I am a creation of this mans' will. I
and everything that I am and everything I have done is because of
his operation of the strings of my puppet being in his hand...[Wind
Beneath My Wings, dedicated to Col. Bruce Hampton]
Post-Wind Beneath My Wings
Trey: Ladies & Gentlemen, Henrietta, and his father Bruce
Hampton.
Mike: That was a touching event.
Trey: It's kinda hard for me to get going again cause I'm
still wiping the tears from my eyes [laughs]...[Antelope]
11/29/95
- Nice Fee:
11/29/95 Municipal Auditorium, Nashville, TN - Set 1
Here, Trey forgets the lyrics to the last verse of Fee (seems
he does that a lot =), like half the verse...they Jam the end of
Fee out in a truly unique fashion, and Trey is heard to remark:
TREY: "That's the abridged version, for those of you that
were wondering...the Reader's Digest version...the original was
banned in book stores all over the country...it was all that nipple
slicing part, they thought it was bad for America's youth...we're
gonna breed a generation of teen-agers going around slicing people's
nipples with envelopes...next time I sing it I'll have them jump
off the boat voluntarily so there's no violence."
With that, Fee finally fades out very prettily...
FISH: (sung) Yeah...
TREY: The nice version.
Ironically, they then jump head first into Split Open & Melt.
12/14/95
- :
12/14/95 Broome County Arena, Binghamton NY - Set 2
Makisupa Policeman
Trey: I woke up this morning...looked at the clock. It read
1:11. Turned over, Kadhafi in my bed.....so I smoked a joint with
him.
08/06/96
- Red Rocks:
8/6/96 Red Rocks Amphitheater, Morrison, CO - Set 2
During the break in Rift Trey pauses, steps back, waits,
steps forward nodding his head..."This is Red Rocks, this is the
Edge." [calmly] -the place goes nuts...
During Antelope:
after a semi-funky breakdown, Trey..."21-year-old Phish Phan Marcus
Esquandolis..." [in reference to a phan's quote in a newspaper article
describing the previous nights events in Morrison]
During the pause in Rift
Trey: [Pauses, steps back, waits, steps forward nodding
his head] This is Red Rocks, this is the Edge. [calmly]
During Antelope
Trey: 21-year-old Phish fan Marcus Esquandolis. [in reference
to a phan's quote in a newspaper article describing the previous
nights events in Morrison]
11/16/96
- Lee Fordam:
11/16/96 Civic Auditorium, Omaha, NE - Set 2
La Grange, Runaway Jim> Vibration of Life > Kung > Catapult,
Axilla I, Harry Hood> Suzy Greenberg, Amazing Grace
E: American Band
(at the end of a dark, spacy Jim...)
Trey: OK, when Fish stops playing the drums for here for
a second...cut it out for a second there Fish, thanks. Um, what
we're doing right here, this is a little thing called the Vibration
of Life. (cheer) We're havin' such a good time tonight, just to
tell you how much I like these general admission shows where you
guys are all walkin' around, there's no seats...isn't that great?
So, um, what we're gonna do here is we're gonna give you the vibration
of life, and what it is is that the, uh, theoretical universal glue
is a vibration that beats at about 7 1/2 beats per-second, so what
we're gonna try to do is to do is we're gonna try to give you this
vibration that beats at about 7 1/2 beats per second and it's gonna
tune you up with the energy of the universe and fill you with incredible...energy...
you're gonna feel it in your ass and in your, uh...
Mike: Solar plexus.
Trey: Exactly, yes, you can feel it everywhere, so get ready
to feel it. This is the vibration of life, uh...this is written
by God, we didn't write this one.
(VOL for about one minute, then Trey starts chanting Kung. A
wicked Kung ends, 2:50 later with Trey over on his drum kit. Mike
starts singing Catapult after another 45 seconds. Catapult wraps
up with a jam I just can't explain with words, 5:45 after VOL started.
Axilla I ensues...)
(spooky ending of Axilla starts up...insert vocal fills from
the others along with Trey...)
Trey: Don't shine that thing in my face man...Kuroda...Kurodaaa!!!
Tof...Toffa...stop shining that fucking thing in my face!!! Toffer!!!!
Steve...Petrol!!!! Lee Fordham!!!!!!
Fish: (screaming): Leeeeeee Fordhaaaaaaaam!
Trey: Leee Fordham!!!!
Fish*: Just a trip to cuba, man...I wanna take a trip to
Cuba man...Oh, I wanna go on a trip to cuba...I wanna go on a trip
to Cuba...
Trey*: A trip to Cuba...trip to Cuba with Lee Fordham!...with
Lee Fordham!...(something I can not understand...)
(*Alternating...)
Fish: Fishing trip!
Trey: Petrol!!!!
Fish: Fordham!!!
Trey: Take in the Lion King....
Fish: Fordham!!!....
Mike (sung as Fishman starts Harry): Leeeeee Fordham...
(About :50 into Harry)
Fish: Yeah...
Trey: Cuba...I can feel it baby...I can feel it...
Fish: Is this the kind of music they play in Cuba?
(First Harry at 2:40...)
Trey: Harry...
Crowd: Hood!
Trey: Harry...
Crowd: Hood!
Trey: Where do you go when...
Trey: Lee...
Crowd: Hood!
Trey: Leeee...
Crowd: Hood!
Trey: Where do you go when...
Trey: Lee...
Fish: Fordham!!!
Trey: Leee!
Fish: Fordham!!!
Trey: Where do you go when....
(you get the idea there...)
(Insert glorious Hood here. For those who like sustain, I have
never heard a longer sustain than is contained in the closing jam.
Nearly three solid minutes jamming on one note. Kinda scary. This
is a segue-ending Hood, into Suzy with LaGrange and Axilla teases...)
(first Fishman vocal fill...): Oh, a neurologist...Lee Fordham's
a neurologist, you know...yeeeeooooowww!!!!!!
(second Fishman vocal fill...): Lee Fordham forgot my name
once...I was very...HOT!!!
(third Fishman fill...): Chris Kuroda's a neurologist, too...I...he's
rather good, actually...hah...AHHHHHHHHH!!!!!!
To get the full effect of this show, you just have to hear it.
It is certainly one of the most unique sets I own (like you can
qualify uniqueness). Although the band gets really goofy, they still
play extremely well. This show comes highly recommended to those
who like a little wackiness with their Phish!
03/01/97
- Pierre:
3/1/97 Markthalle, Hamburg, Germany - Set 1
After 'Wolfman's Brother' Trey says some cool things about the
venue then
Fan: THANK YOU!
Trey: Uh, what's that?
Fan: THANK YOU.
Trey: Oh, thank you.
Fan: That was fuckin' beautiful, Mike!
Trey: Ok, eew. Mike, he likes the way it sounds there. laugh
Mike: Well, I know. laughter
07/09/97
- Pierre:
7/9/97 Le Transbordeur, Lyon/Villeurbanne, France - Set 2
Set II: DWD > My Soul, Cars Trucks Buses, YEM*-> Ghost* > Poor
Heart* E: Ragtime Gal
*w/ Bela Fleck and the Flecktones
(during the spacey dissonance before Mike hits the bass intro
to Disease)
Audience member: Haagen Dazs!
Trey: Haagen Dazs! [5 second pause] Where's Pierre?
C'mon, Pierre, where are you?
Don't anyone else put your hands up except Pierre. Yes! Let's hear
it for Pierre! [audience cheers] PIERRE! [Page makes some
sound effects] Pierre from Haagen Dazs, the second best ice
cream in the world. You know, Pierre, after we've said your name
so many times from onstage I hope that when Ben & Jerry's
opens a store in Lyon that you're gonna quit you're job at Haagen
Dazs, and work there!
[During the YEM jam, several minutes after Bela & the Flecktones
came onstage. They bring the jam down low so Trey can speak...]
Trey: Pierre. Are you out there?
Where's Pierre?
Put your hands down now, I can't see Pierre. Where's Pierre?
Pierre, where are you?
Okay. Pierre, you may not know who you're listening to. Just so
you know, that man over there playing that synth-axe drumitar...
His name is Future Man. ["Future Man" (Roy Wooten) plays a short
drum solo on the Drumitar] Of course, the man who's now gonna
groove with him for the next minute, sitting right next to him is
none other than - are you ready Pierre?
The Greasy Troll. The Greasy Troll! Let's get the Greasy Troll and
Future Man together here.
[A two minute drum solo follows with Fish joining Roy].
Trey: This man over here, who's joining in now with the Greasy
Troll and Future Man, layin' it down, layin' it down in Lyon, for
Pierre, this is for Pierre, on the bass Victor Wooten. Victor Wooten!
[Victor jams on the bass for a minute or so. Funky.]
Trey: Joining in here with Victor Wooten, sitting over here,
adding the higher voice, Mr. Jeff Coffin [sp?],
on the tenor saxaphone.
[Jeff joins in and solos a bit]
Trey: And of course, the other person who you haven't been
introduced to yet, Pierre, completing Bela Fleck and the Flecktones,
Mr. Flecktone himself, Bela Fleck on the banjo.
[Bela joins in and the AMAZING jam that follows segues seamlessly
into Ghost]
[As they're holding the closing chord of Poor Heart to end the
set:]
Trey: Thank you! PIERRE! PIERRE! PIERRE! [audience joins
in chanting] PIERRE! PIERRE! PIERRE! [etc.]
[After the song ends]
Trey: Bela Fleck and the Flecktones, thank you, Pierre! Thank
you!
[before the encore, the audience starts chanting Pierre again,
and Phish returns to the stage]
Trey: Where's Pierre?
Come on up here, Pierre. Pierre! Pierre!
07/21/97
- Back of the Worm:
7/21/97 Virginia Beach Amphitheater, Virginia Beach, VA - Set
1
This is an excerpt from Benjy Eisen's BathtubGinFile
#27. Besides containing some Banter (which is pretty rare these
days), this is one of the best Gin's I've heard. Benjy's review
of it is one of the best of read too, so check it out. Benjy probably
wouldn't mind some thanks for all his hard work either (hint hint).
At 18:08 the jam drops for a Trey narrative that goes a little something
like this:
"Thanks everybody, welcome to the, uh, first show of the North American
Tour. It's good to be back!" Then he chants, with fists pumping-
"U S A! U S A!" Nobody continues chanting....Fishman says very faintly,
"You can do better than that" but the problem at the time was that
nobody understood what Trey was chanting...at least no one in my
section (Front section, Fish's side). The other problem is that
I'm not sure anyone would *want* to be chanting this...at least
not at a Phish show. BUT by the way Trey laughs while chanting,
it's pure humor and come to think of it, it would have been rather
funny to see 20,000 or so phans chanting "U S A U S A." This is
not a political arena here, so Amrit sit back down. The mocking
is of arena-rock and not patriotica.
Anyway Mike funks along underneath, as does Page and Fish, Trey
chiming in chords in between sentences --
"Yes, we do have a lot of new material for you - I know most of
you probably know that already - but we did start off the show tonight
with four new songs. Just so you get it right, and you make sure
that you know all the names and titles of the songs, I, uh, I'm
gonna tell you right now.
The first song was called 'Ghost'. Um, that was that funky thing
that went into the long jam.
Ah yes, the second song was called 'Dogs Stole Things' so make sure
you get that right. That was the, uh, bluesy number about, um, how
your pets, your dogs and your cats, you know, during the day they're
sleeping and they're feeling good and everything but at night they
come and they try to Steal Your Soul. So you gotta watch out for
that. Obviously by the way he is playing they have not stolen Fishman's
soul yet!"
{Trey turns to Mike and Fish, not directly into the mic.}- "What
was after that?
What'd we play?
[back into the mic.] What was after that?
Ah yes, song number three was called 'Piper' and that was that one
that build way up, um - 'The words were the words I sailed upon'
- This is the last time I'm going to say this, by the way, so those
of you who are travelling from show to show make sure you remember
this 'cause I'm not going to say this again. I'm only saying it
'cause it's the first show of the US tour...
And the fourth song new song you, um, which is one of my favorites,
is called 'Dirt' and that was the slow one which is about 'I'd like
to live beneath the dirt'. And after that you knew the names of
the songs.
So we're gonna do one more....and then we're gonna take a break.
So don't go away...don't do anything I wouldn't do...or you might
end up on the back of the WORM! On the back of the WORM!! Okay,
so after this next song we'll see you in about fifteen minutes with
alot more music. Thanks."
"Popcorn" things at 20:15 or so from Fish...mocking the unability
of the Dogs to Steal Things...Fish has been doing James Brown throughout
this little song introduction section...after which there is another
second or so of the funk and then - bam! Jam ends at 21:32. Nanosecond
pause before a jammed out Character Zero starts up.
WE'RE ON BACK OF THE WORM, BABY!!!!
07/23/97
- :
7/23/97 - Atlanta, GA - Set 2
As Trey creates obnoxious noise at the end of Chalkdust Torture...
Fishman: [typical shouting voice] Pepe Le'Pew!!!
07/31/97
- Inhuman:
7/31/97 Shoreline Amphitheatre, Mt. View CA - Set 1 Right
after Limb by Limb
Trey: Let's hear it for Fish for trying that inhuman drumbeat.
How bout that, huh?
Fish: One of these days I'm gonna nail it.
Trey: He tried that one in a dress and it didn't work, than
he treid it in the suit and it worked.
07/30/97
- Elvis:
7/30/97 Ventura County Fairgrounds, Ventura, CA - Set 1
After "Chalkdust Torture"
Trey: Thank you! (In a really quick high voice) [editor's
note: use your imagination!]
08/14/97
- Elvis:
8/14/97 Darien Lake PAC, Darien Center, NY - Set 2
After 'Treat Me Like a Fool', sung by Mike Gordon
Trey: We had to sing one for Elvis, because it's Elvis week...
Even if Mike did start it in the wrong key.
Sparkle Begins
Trey: This number is of course for Elvis as well. He would
love this song.
08/16-17/97
- Great Went Banter:
Ghost plays and Trey ends abruptly
Trey Thank you I hope you enjoyed that as much a |